commentary to opus 21 |
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Adagio
for Organ, op. 21 (1961)
First
Performance: November 20, 1961, Flensburg, St.
Marienkirche Duration: 7 Minutes Publisher: N. Simrock Hamburg-London (Boosey & Hawkes) ISMN M-2211-2070-0 Errata: Video: Works by Hummel on youtube
Above a
underlying motif, a theme appears and, in the subsequent
development, is led through different variations. In
contrast to the very restrained tempo and dynamics of
the variations, a forte insertion is heard twice,
demanding also a faster tempo. After this, the
atmosphere of the opening makes a gradual return. The
underlying motif sounds once more in extreme pianissimo
and closes the work, which was created on the 30th
October, 1961 following an improvisation on the
Markussen organ in Abenrade (Denmark). Bertold
Hummel Larry D. Crummer: The Solo Organ Works by Bertold Hummel, Dissertation 1983
Bertold Hummel's "Adagio for Organ" seems of finer feelings, as if conceived in a meditation over the sounds available on this instrument. He uses three contrasting themes, formed in part horizontally and in part as functional harmony. These play an endless game of trying to put each other in exposed positions. As these three characters support each other in constantly new structures, a permanent density is achieved, finding its resolution after intensive and concentrated climaxes. The style is powerful and athletic, not without an inclination towards expression of feelings, whereby everything remains under the control of the intellect and of precise acoustic imagination. |